翻訳と辞書
Words near each other
・ Never Trust a Woman
・ Never Trust Originality
・ Never Turn Away
・ Never Turn Our Back on the Blues
・ Never Turn Your Back on a Friend
・ Never Turn Your Back on Mother Earth
・ Never Underestimate the Power of a Woman
・ Never Understand
・ Never Wanted Nothing More
・ Never Wanted to Dance
・ Never War
・ Never was so much owed by so many to so few
・ Never Wave at a WAC
・ Never Weaken
・ Never Went to Church
Never Were the Way She Was
・ Never Will Be Mine
・ Never Without You
・ Never Would Have Made It
・ Never Yet Contested
・ Never You Mind
・ Never, Never Gonna Give Ya Up
・ Never, Never, Land
・ Never, Neverland
・ Never-Ending
・ Never-Ending Language Learning
・ Neverbloom
・ Nevercenter
・ NeverDead
・ Neverender


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Never Were the Way She Was : ウィキペディア英語版
Never Were the Way She Was

''Never Were the Way She Was'' is a collaborative album by Colin Stetson and Sarah Neufeld, released in 2015 by Constellation Records. It was recorded live in the studio without the use of overdubs or loops〔 at the End of the World studio in Vermont.〔 Neufeld and Stetson had first met in 2006 when Neufeld's Bell Orchestre shared a bill with Antibalas, who Stetson was playing with. The two artists had previously collaborated on the soundtrack to the 2013 film ''Blue Caprice''.〔
== Reception ==

At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, ''Never Were the Way She Was'' received an average score of 81, based on 19 reviews, indicating "universal acclaim".〔 AllMusic reviewer Thom Jurek said that the album was too short, commenting that the songs "last only as long as they hold interest for the players, though they all create a real desire for more in the listener - which is no complaint at all."〔 Alexander Tudor of Drowned in Sound called the album a "triumph for instrumental music" and said that Stetson and Neufeld "work perfectly; long may they continue to work together."〔 ''NME'' reviewer Cian Traynor said that the pairing was "seamless" and that the album contained "expertly controlled energy" which "unfolds like a well-crafted score to an imagined film."〔 Harley Brown of ''Spin'' called it a "cohesive meditation on the legacy of avant-garde greats" and said it was "an essential part of Stetson and Neufeld's own impressive canons."〔 In his review for Pitchfork Media, Jayson Greene said the album was an "implicit reminder of the things that can be done with two instruments and two hands."〔
The album was a longlisted nominee for the 2015 Polaris Music Prize.〔("Polaris Music Prize Announces 2015 Long List" ). ''Exclaim!'', June 16, 2015.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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